You can leave all the technical stuff to us, reassured
that CorpFilms [UK] has an extensive range of equipment to accommodate a
variety of different filming styles, situations and
Matching HDV cameras for multi-cam shoots. The silver
camera is for time lapse. All our cameras have 3CCD internal chips that deliver
high clarity colours. Wide angle lens for restricted spaces. Matt boxes avoid
lens flare from lighting and sun.
Steadycam is designed for on-the-move shots. It has
complete freedom to go almost anywhere as it is not restricted to pre-set paths
on rails. It provides smooth shots even whilst travelling on uneven terrain, up
or down steps. Great for vehicle rear motion shots, out door activities walks
through and vox pops. The hanging cage enables low level shots. Steadycam is a
specialist rig, for which operators require specific training.
Camera crane with its under slung motorised powerhead
produces fabulous smooth and perfectly level or angled shots rising from ground
level to almost 4 metres with 360 degrees rotational swing plus 360 degrees pan
& tilt. It's safer than drones for indoor and close to public shots.
Shoulder rigs for camera shots that need to be
extremely mobile, quick to respond and steady. Ideal for events and vox pops.
Quick release mounts enable rapid attachment to tripods for perfectly steady
static or panning shots, making the production process efficient and flexible.
Glide track delivers very smooth, slow lateral
movements. Perfect for adding a subtle touch of class and individuality to
static interview and product shots. Superior quality tripods with twin legs
eliminate twist for greater stability. Fluid heads give smooth horizontal or
vertical pans, eliminating the jerkiness associated with cheaper, photographic
tripods. Zoom controls ensure smooth follow through between distance and close
Gantry is for spanning across spaces where other rigs
cannot be positioned. It also enables cameras to take perfectly vertical and
steady overhead shots, which is ideal for close up product and equipment
Sennheiser and Rode electret condenser microphones
are the choice of professionals. XRL connections for balanced input. Radio for
distance and cable-free shoots. Shot guns, lapels, hand held and performer
headset for different filming styles. Cardioid for close pick up and
directional to reduce background sound. Windjammers,"dead cat" (the furry mic
cover) and pop shield reduces unwanted noise. Floor and overhead booms where
microphones need to be out of shot. Headphones monitor sound quality and avoid
otherwise unnoticed background noises.
Lighting is not just about improving light levels. It
adds depth, character and atmosphere. Warm toned halogen and cold white LED.
Strong direct and soft diffused. Stands for studio, indoor locations and some
outdoor environments. Camera-mounts for close up vox pops in poorly lit
|Teleprompter (also known as autocue)
16" Teleprompter can usually be read from 3/4 metres.
Professional presenters accurately stay on scripts, reducing need to learn in
advance, minimising their fees. Less experienced people can deliver scripts
with greater confidence. Avoids forgetting words and reduces fumbling.
Field & Studio, HD monitors make image focusing
more accurate. Hood protects the LCD screen from bright lights and sun so the
camera operator can manage clear images. They are also better for crew and
clients to review rushes (raw footage) whilst still on location.
Full height green screen with infinity curve,
enables persons to be placed in any scene by superimposing a background image,
video or animation behind. Also an essential requirement when filming our
specialist "Website Walk-on Presenter". White or black backdrops for
Powerful studio computer, capable of handing full
1080i HD graphics with multiple effects filters. Ours is 'the' industry-leading
professional editing suite that integrates all major postproduction facilities
for colour grading, after effects, sound manipulation, 2D graphics animation,
importing and exporting a diverse range of video formats, In Design and